![]() ![]() ) do justice neither to the density nor the subtlety of his argument, Bloch's thesis is this: that medieval society perceived itself in terms of a vertical mode of descent from origins. Bloch has completely achieved this ambition." –Michel Foucault "Bloch's Study is a genuinely interdisciplinary one, bringing together elements of history, ethnology, philology, philosophy, economics and literature, with the undoubted ambition of generating a new synthesis which will enable us to read the Middle Ages in a different light. Bloch has attempted to establish what he calls a 'literary anthropology.' The project is important and ambitious. Indeed, I gather here a range of material, both literature and art, from across Europe between roughly the end of the thirteenth to the mid-fifteenth century within that evidence, I identify a shared interest in reanimating the apparently exhausted topic of Trinitarianism and the family. This essay treats that poem, too, but also maintains that the synergy between marriage and the Trinity was not only the preoccupation of an eccentric poet but had a much more widespread cultural relevance. Where this interrelationship has been considered before by medievalists, it has been in criticism of William Langland's Piers Plowman. This essay shows the way that the analogy reemerged in the fourteenth century, bleeding through its theological bandages into debates about (. Augustine, but his disapproving assessment was enduringly to inhibit its use. The association had long been known within theological discussions of the Trinity, antedating the works of St. It charts a perceived relationship between the Trinity and the conjugal family in Anglo- French lay culture in the later Middle Ages. Laughing at credulity and superstition in the long eighteenth century. The comic power of illusion-allusion - Allison P. Andreae's ludibrium: Menippean satire in The chymische hochzeit - Diane Rudall. Ridentum dicere verum (using laughter to speak the truth): laughter and the language of the early modern clown "pickelhering" in German literature of the late seventeenth century (1675-1700) - Thomas Willard. The comic personas of Milton's Prolusion VI: negotiating masculine identity through self-directed humor - John Alexander. ![]() The comedy of the shrew: theorizing humor in early modern Netherlandish art - Jessica Tvordi. Sacred parody in Robert Greene's Groatsworth of wit - Martha Moffitt Peacock. You had to be there: the elusive humor of the Sottie - Kyle Diroberto. Laughing out loud in the Heptaméron: a reassessment of Marguerite de Navarre's ambivalent humor - Lia B. The workings of desire: Panurge and the dogs - Elizabeth Chesney Zegura. Laughing in late-medieval verse and prose narratives - Rosa Alvarez perez. The function of laughter in The second shepherds' play - Albrecht Classen. Esoteric humor and the incommensurability of laughter - Jean N. ![]() Laughing and eating in the fabliaux - Christine Bousquet-Labouérie. Chaucerian comedy: Troilus and Criseyde - Sarah Gordon. Humorous transgression in the non-conformist fabliaux: a Bakhtinian analysis of three comic tales - Gretchen Mieszkowski. Tromdhámh guaire: a context for laughter and audience in early modern Ireland - Jean E. Curses and laughter in medieval Italian comic poetry - Feargal Béarra. but was it funny? Cecco Angiolieri, Rustico Filippi and Giovanni Boccaccio - Nicolino Applauso. Laughing at the beast: the judensau: anti-Jewish propaganda and humor from the Middle Ages to the early modern period - Fabian Alfie. The son rebelled and so the father made man alone: ridicule and boundary maintenance in The Nizzahon vetus - Birgit Wiedl. Laughter and the comic in a religious text - John Sewell. Pushing decorum: uneasy laughter in Heinrich von Dem Türlîn's Diu crône - Connie L. ) gender politics in medieval conduct discourse - Madelon Köhler-Busch. The parodia sacra problem and medieval comic studies - Olga V. Laughter in Beowulf: ambiguity, ambivalence, and group identity formation - Mark Burde. ![]() "Does God really laugh?": appropriate and inappropriate descriptions of God in Islamic traditionalist theology - Daniel F. Laughter in Procopius's wars - Livnat Holtzman. Introduction: Laughter as an expression of human nature in the Middle Ages and the early modern period: literary, historical, theological, philosophical, and psychological reflections - Judith Hagen. ![]()
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